"Consider this scenario. I want to substitute the G7 - as the V of a 2-5-1 progression in C - with a tritone. So I pick a Db7 chord. When it comes to creating an impro line around this chord, do I use, as a first choice, a lydian Db7 scale? Additionally, can I also consider G7 as a Bmin7 b5 chord, and again what are the scalar possibilities available, other than the lydian approach?"I wanted to reply to it with a smartass remark about avoiding a dominant flat on a minor-7-sus-4-pentatonic triad, but I was nice and didn't. By the way, Carlos Santana says it's all in the soul, anyway.
Tuesday, March 13, 2007
Just For a Diversion: The World of Music Nerds :)
Okay, here's a step away from current events. Some of you already know I check out the usenet newsgroups now and then, and one in particular is alt.guitar.bass. The following post there made me chuckle a little... this is so totally a great example of guitar-nerd-speak. I know you twang-bar-kings out there will dig it, and those of you who are not musicians can get a giggle at what some people consider understandable conversation: